Erickson Tribune

Cedar Crest

UPDATED: Wednesday, October 01, 2008

Artistic expression flows at Cedar Crest

Posted on Wednesday, October 01, 2008
 

By Joel Keller
THE ERICKSON TRIBUNE

Being involved in an artistic endeavor, whether it involves painting, drawing, writing, or anything else, is always dependent on the environment the artist is in. If the subject matter isn’t stimulating enough, or if the surroundings aren’t relaxing or distraction-free, it will show in the work. It will feel disjointed.

With that in mind, two of Cedar Crest’s best-known artistic minds have utilized not only their apartment homes, but the people and places within the retirement community itself to inspire their work.

Cartoons and illustrations
Ever wonder how magazines  get those cartoonish illustrations that accompany their articles? Don Trawin can tell you; he’s been an illustrator for more than 60 years, the last 30 of which have been exclusively for magazines. His work as a commercial illustrator put his anonymous drawings on everything from the backs of cereal boxes to the annual report of the New York Stock Exchange.

“I always preferred drawing from when I was a tiny child,” he says. “But this other stuff was there and lucrative, and I could do it.” He switched to illustrating for magazines in the mid-70s, after showing his portfolio to Fortune magazine. “They said, ‘Where have you been? We’ve been looking for someone like you!’” He freelanced for a number of magazines, including the Saturday Evening Post, before going into semi-retirement in the late 1980s.

He’s still a regular contributor to the Post. In an interesting arrangement, the magazine sends him the full text of articles they want him to illustrate, and he has free reign to draw what he wants based on what he’s read. Why does he  continue to do it? “Because it’s fun. I like to do it, and it’s easy. I look forward to the articles they send me; they’re usually funny.”

“He is in the esteemed company of Norman Rockwell and numerous other illustrators from the Golden Age of Illustration,” says Post Managing Editor Patrick Perry. “We are lucky to have him.”


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While Trawin spends his summers at a house in the Adirondacks, he spends the rest of the year at Cedar Crest. One of the bedrooms in his apartment home has been converted to a studio with his materials—usually watercolors and ink—and a drawing table. When he moved to Cedar Crest from Montclair, N.J., four years ago, he saw his prospective home and thought, “Oh, second bedroom; that’s going to be my studio. There’s an alcove there that fits my flat files perfectly.”

Peace and quiet for painting
Johna Dasteel, on the other hand, utilizes her entire apartment home; walk in and you would think you’re in an exclusive art gallery. Dasteel, an accomplished painter, sculptor, and calligraphist who was selected to be an artist-in-residence at Carnegie Mellon University in 2000, has dozens of her paintings and sculptures decorating her home.

She’s been painting almost since she could hold a brush; she first went to art school when she was seven years old. “My favorite things to paint are people,” she says. “The challenge is to get a good likeness. The hardest thing to paint is a beautiful woman.” Many of the paintings that line the walls of her home are portraits of various models, friends, and relatives. There are even a few self-portraits hanging, including one she painted almost 40 years ago. She also has landscapes, still lifes, and even a few pieces that would fit well at a modern art museum.

Because she likes to dabble in different formats, the sizes of her paintings range from poster-sized to miniatures that are smaller than a postcard. These actually take longer than the larger paintings because “no amount of detail is enough” in a miniature, she says.

While she often does work in the creative arts studio in the Woodland Commons Clubhouse, her favorite place to paint is in her sunroom, just off her kitchen. She keeps an easel and a supply of paints there just in case she gets inspired to start—or finish—one of her paintings. “It’s just the peace of being uninterrupted,” she says.

Sketches of Cedar Crest
Dasteel is in a sketch drawing group run by Trawin. “She and I work very differently in approach,” he says. “She’s more precise. I’m wilder.” Indeed, while her pencil sketches are detailed with different degrees of shading, Trawin’s sketches are more abstract and exaggerated. But both enjoy working in the group. Trawin also runs an oil painting workshop and will teach sketch drawing in an upcoming Elderhostel class.

Trawin likes to sketch the goings-on at Cedar Crest, whether it’s someone playing billiards in one of the clubhouses or just sitting and admiring the view. “Each of (my) sketchbooks has been a record of what we do and the life around us and where we were,” he laughs. “This is the life around us now. It turned out to be a delightful mix of activities and people.”



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