Erickson Tribune

Seabrook

UPDATED: Monday, June 04, 2007

For musicians, the melody lasts a lifetime

Posted on Thursday, May 10, 2007
 

Part one of a three-part series

By Julia Boyle
THE ERICKSON TRIBUNE

“If you’ve ever performed in anything, you know the high that you get,” says folk musician Lori Goldschmidt.

She laughs and recalls her most recent performance at Seabrook with the Navesink Ensemble, a group of recorder players, including Herb Gissen and Pauline Schoening, who also live at the community.

We sit in the den of her Seabrook home where she stores three sizes of xylophones, a handful of international drums, cymbals, maracas, recorders, and instruments I couldn’t even find on the Internet.

Music has always been a part of her life, and like many of her fellow Seabrook musicians, Goldschmidt has carried it with her throughout every aspect of her life. From teaching to performing to listening, the common thread of music connects these lifetime artists.

Joy of music
Having taught recorder, a woodwind instrument, Goldschmidt was yet unprepared for the one-week event that would change her life. “My children went to a music camp in Canada and learned the Orff approach to music education [developed by German composer Carl Orff in the 1920s and 1930s, it allows the students’ inherent affinities for rhythm and melody to develop naturally through immersion and improvisation instead of through drills and memorization]. I became so intrigued that I studied it, got certified in it, and started teaching it in the late 1950s,” she says.

She’s taught music ever since.
After retiring from The New School of Monmouth County and moving to Seabrook, Goldschmidt went back to her roots and started a recorder class. “It’s going very well. I have seven extremely enthusiastic students, and it’s just been great fun,” she says.

In addition to teaching, the Navesink Ensemble allows Goldschmidt an outlet to perform, one of her greatest joys of music. The ensemble plays at schools, churches, libraries, bookstores, fairs, restaurants, weddings, and Seabrook events.


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‘I’m a ham’
Like Goldschmidt, pianist Jane MacNutt confesses to enjoying the spotlight. “I’m a ham. I think it’s hard to explain. One likes the applause, and you can tell you’ve captured an audience. There’s an electric feel to it when you know you have them,” she says.

MacNutt plays for the Protestant community’s vespers service at Seabrook on Wednesday nights and “anything else they need somebody to play for, that’s what I do,” she says.

But MacNutt’s heart is in the music, not the spotlight. “I think music speaks to me emotionally and spiritually. I always say that John Erickson gave me a lovely gift because he puts an organ in each of the chapels. I go over there with nobody around, and I can play for hours. It’s like therapy,” she says.

She also plays solo on the piano she donated to Seabrook upon moving in. Her eightfoot grand piano stands in the Fireside living room, where she often goes to play in the quiet of Saturday mornings.

“Music has always been a part of my life. I have always enjoyed it and always loved it,” she says.

For MacNutt and Goldschmidt—plus the rest of the musicians in this series—music speaks to them.

Next month, read about Juilliard-trained pianist Lorraine Hart and Bill Sagosz, trumpet player turned accordion aficionado.



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