Erickson Tribune

Monarch Landing

UPDATED: Friday, November 03, 2006

Wearing History

Posted on Sunday, October 01, 2006
 

Fabric Artist Marilyn Kayton Turns Her Love of Travel, History Into Wearable Art

By Melissa Borgerding
THE ERICKSON TRIBUNE

Marilyn Kayton doesn’t buy souvenirs when she travels, at least not the plastic snow globes or key chains found in every tourist shop from Holland to Hong Kong. Instead, she buys fabric.

“Whenever I travel, I buy buttons, trim, and anything else I can make into memory clothing,” she says. Sometimes Marilyn sees a pattern for a jacket or vest emerging as she travels through a particular country. “Sometimes, I have to get everything home and lay it out on the kitchen table before the fabric talks to me.”

A kimono-style jacket inspired by a trip to Japan is currently featured in Monarch Landing’s creative arts studio.

Clothing With a Story
A former Home Economics teacher and an award-winning poet, Marilyn can’t say what first inspired her to capture her travels with fabric, but she believes her memory clothing tells the stories of the places she’s been far better than any souvenir shot glass.

“The word ‘souvenir’ comes from the French meaning ‘to see again.’” explains Marilyn. “When I put on something I’ve made, it’s as if I’m seeing it again.”

Plus, she adds, “clothing seems much more practical than buying stuff that I’m probably going to end up throwing away.”

Marilyn frequently gives lectures about her wearable art. Her memory clothing has even been featured in Storytelling magazine. In between her travels and lectures, she still finds time to make quilts and special pieces of clothing for her four grandchildren.

History in First-Person
Fabric isn’t the only medium through which Marilyn tells stories. In August, she presented her original play Five First Ladies at Monarch Landing.


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Seamlessly switching between the roles of Mary Washington, Mary Todd Lincoln, Frances Cleveland, Edith Wilson, and Eleanor Roosevelt, Marilyn delighted her audience and provided an insightful and entertaining look into the lives of America’s pioneering women.

For Marilyn, the play was an opportunity to combine two of her great loves: theater and history. “I love history and I believe in telling history in the firstperson. Who we are is a combination of who all the people before us were,” she says.

Recently, Marilyn and her grandchildren made a family tree stretching back through the generations. Marilyn thought it was important to show her many people influence their lives. “I told them there are 1000 people who contribute to who you are.”

How Writing Is Like Sewing
Personal and family history is the common thread linking all of Marilyn’s art. Her poem “Family Fables” (to the right) uses sewing imagery to make sense of complicated family dynamics.

“I love putting words together,” she says. “Sometimes, in writing, you re-live memories.”

Marilyn likens writing to creating her memory clothing. Words, like the trim, buttons, and fabric she collects during her travels abroad, can be put together to tell a unique personal story.



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