Erickson Tribune

Linden Ponds

UPDATED: Monday, March 03, 2008

Behind the scenes

Posted on Saturday, March 01, 2008
 

By Setarreh Massihzadegan
THE ERICKSON TRIBUNE

A myriad of actors, musicians, and great minds regularly take to the stage at the Linden Ponds performing arts theater, but it’s the talent behind the scenes that keeps the theater in motion.

Since the performing arts theater opened last spring, Linden Ponds residents Chuck Clutz  and John Evans have done just that, filling the theater’s 263 seats.

Early beginnings
For Clutz, who helps set the scene for many of Linden Ponds’ large productions, the vision for theater came at an early age. As a young student in the Preparatory Department at The Eastman School of Music in Rochester, N.Y., he listened in on operas from  backstage and developed an interest in scenic design and lighting.

But it wasn’t until his senior year of high school when Clutz designed his second set that his work made it to the stage—a Norwegian scene for the senior class play.

“Nobody could believe that a student at the high school had done it,” Clutz recalls.

Following advice from his drama teacher, Clutz became a registered architect. Working for several Bostonarea architectural firms, he helped design three theaters, including the performing arts center at the University of New Hampshire at Keene, for which he designed the stage, auditorium, and equipment.

It wasn’t until he moved to Linden Ponds that he began designing sets again.

Preparing to entertain
“Chuck is an unbelievably creative guy,” says Lo Steele, who directs most of the community’s productions. Clutz works with Steele when designing the lighting and sets for performances at Linden Ponds. He then hands over his intricate drawings of scenery to other community members, who construct and paint them.

“A lot of people’s talents are being brought out as a result of this process,”  Clutz says. “I couldn’t exist without them.”


Clutz

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With last year’s holiday performance under his belt, Clutz is preparing for the next show on the agenda: a June production of scenes from the stage in New York. As with any performance, he says, the next will be a collaborative effort.

Technical guru
John Evans, another key figure in the theatrical productions at Linden Ponds, is also likely to be enlisted to help out with the upcoming show.

Evans has become the person to go to for technical help.

From the long list of activities on any given week at Linden Ponds, Evans can claim involvement wherever light and sound work is needed.

“If there’s anybody that’s indispensable, it’s him,” says Bernie Peavey, a member of the community’s opera club, for which Evans sets up the microphones and lighting. “Without him, this theater goes blank.”

Young technician
Like Clutz, Evans had theatrical aspirations from an early age.

“I was the kid who always did the sound for the church,” he recalls. Thanks to his mother volunteering him, Evans was also the one who did the sound for  various dance groups and parades riding through his hometown in England.

Even so, he muses, “In my family, being in the theater wouldn’t have been the  greatest thing in the world.”

So Evans went on to professions as a research  electron microscopist and a physicist, which led him to work for 15 years on the Hubble Space Telescope. He never had any formal training in lighting and sound.

Bringing it all together
Nowadays, when Evans and Clutz cross paths in one of the clubhouses at Linden Ponds, they can’t help but talk shop, immediately becoming absorbed in an energetic discussion about power consoles.

Reflecting on both men and their love of theater, Steele says: “A lot of people, when they get to Linden Ponds, discover that they can fulfill childhood dreams.”



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